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BRIEF HISTORY OF NEW ZERO

The lack of well-developed art infrastructure in Myanmar, such as no art museums, no curators, no government support, no foundations, and up to date information created the independent minds into the visual artists in Myanmar. The artists were challenged by internationalism and were demanded neither by the globalization of art nor by the development of life style or of the tourism. This moment creates the urgent need for private initiatives. After 2000, the art society of Myanmar became flexible and quite developed compared to the past eras. Very few of Myanmar artists started to have a certain standard in international art sences, because of the some foreign curators or of their individually and independently attempts.New Zero has been on it’s trend of promoting Myanmar lively art sence, especially on Modern and New Art during the harder period of 1990’s.

In 1990, Aye Ko, a young modern artist organized “Modern Art 90” exhibition in the leading role in Myanmar. It was one of the historical modern art movements in Myanmar art history. In 2000, “Modern art 90” transformed and rebuilt as New Zero Art Group. Being an art group of promoting modern and new media art, the organization has very activated with its regular visual, performance and new art activities including exhibitions at various venues but also at foreign cultural centers such like Alliance Francis in Myanmar and American Centre, yearly or monthly. The activities were running with artists’ own budget during early time. In 2002, the group organized a project named Ayeyarwady Art Assembly collaborated with IFIMA (international Forum for Intermedia Art) organized by Jayko. That collaborative project included International Symposium and Open Academy on Collaboration, Networking and Resource-sharing within June 2002. Prince Claus Fund had been supported that project.

We, the New Zero also hosted NIPAF-Myanmar Performance art exchange organized by NIPAF director, Seiji Shimoda for twice in 2001, 2005 and in 2009. We found that there is not many spaces for Modern and New media art works in Yangon, we decided to get running own venue for our activities. Early of 2008, we rent an apartment as New Zero Art Space and started exhibiting for modern and new art. The New Zero member artists gathered their own fund to rent that apartment by selling out their paintings in cheaper prices at New Zero Donation show. In 2009, we got another space for New Zero Studio including a small library, documentary centre and a room for the residency artist. Besides, art classes are running at this studio yearly. Seminar, workshop and artist talk and presentation occupied at New Zero art space. In January 2009, we exhibited Asean contemporary art exchange, seminar and workshop with 13 artists from nine countries, 30 artists from Myanmar, sponsored by Prince Claus Fund. After two years later, in the moment, our art concern developed into an international network as much as we expected.

Reconsidering the weaks and strengths of our art organization, we found that we have to effort more and more in order to promote Myanmar contemporary art of its’ very beginning commenting and reacting the current situations in different perspective.So, now, empowering ourselves, we are trying to educate art, to make specific researches concern with Myanmar art through social oriented concepts.

 

 

 

   

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CURRENT MISSIONS

• In order to promote emerging and not-establish Myanmar modern and contemporary artists, we
  will give the art space free for their exhibitions.
• In order to educate art among youths, we regularly arrange and host several seminars, workshops
  and discussions by foreign and local artists.
• In order to widen network and collaboration with South East Asia, Asia, Europe, America and Latin
  America countries, we would like to organize art exchange programs that introduce these artists
  to Myanmar art scene.
• We have the idea to perform public art programs such as art programs with the persons in
  HIV/AIDS and art programs with orphans in Myanmar since last years; we could not do anything
  about them. Therefore, we aim to perform this project soon in the future.

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Staff

Chairperson                 : U Ba Win (Artist)
Board of Director          : Aung Myint (Artist)
                                  Bagyi Lynn Wunna (Artist)
                                  Kaung Su (Artist)
                                  Nyein Chan Su (Artist)
                                  Thar Gyi (Artist)

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International Advisors

Maxe Fisher, Professor (Canada)
Rodney Dickson, Artist (USA)
Aung Aung Taik, Artist (USA) ~Director of Friends of Myanmar Art
Mella Jaarsmar, Artist (Indonesia) ~Cemeti Art House, Yogyakarta, Indonesia
Nandityo Adipurnomo, Artist (Indonesia) ~ Cemeti Art House, Yogyakarta,
Indonesia
Shireen Naziree (Malaysia) Curator, Malaysia
Seiji Shimoda (Japan) ~Executive Director of NIPAF, Japan

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Executive Committee

  Executive Director and Founder : Aye Ko (Artist)
  General Manager : Zoncy (Artist)
  Gallery Manager : Than Naing
  Studio Manager : Thwe Thwe Aye (Artist)
  Library Manager : Ko Latt (Artist)

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Artists List

• Aung Myint
• Aung Aung Taik
• Aye Ko
• Aung Myat Htay
• Aung Khin Myint
• U Ba Win
• CNK (Chan Nyein Kyaw)
• Hein Thit
• Htoo Aung Kyaw
• Ko Ko Naing
• Kaung Su
• Kyu Kyu
• Bagyi Lynn Wunna
• Maung Moe
• May Moe Thu
• Myo Min Zaw
• Nan Nan
• NCS (Nyein Chan Su)
• Set Aung T.T
• The Maw Naing
• Thar Gyi
• Tartie
• Ko Thu Tha
• Thu Rein
• Zar Min Htike
• Zay Phyo
• Zun Pwint Thu
• Zoncy
• New Zero Next Generation

 

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